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From russia with love



НазваниеFrom russia with love
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Дата конвертации17.07.2012
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[END OF REEL 7. START REEL 8.]


IN THE RECEPTION ROOM


Bond walks back to the clerk, who is still talking to the second man.


Bond

Excuse me. You did say your cock was correct?


Clerk

Russian clocks are always —-


A sudden explosion smashes through the floor behind Bond. The clock falls from the wall. Debris cascades down from the ceiling.


Bond rises with a big grin. He says something to himself and turns to an archway behind him.


Embassy men run frantically around as Bond exits through the archway.


The clerk starts grabbing drawers from his desk. Other EMPLOYEES run behind him with drawers and files.


IN A HALLWAY


Smoke fills it. Bond runs down the hall carrying a gas mask.


TRUCK WITH HIM as he passes through a swinging door into another hall and puts on the mask. He continues into the conference room then turns to an iron gate. At the same time, a LADY emerges through the gateway carrying files.


CLOSER ANGLE - THE GATEWAY


Bond lunges toward the gateway. A GUARD holding a gun tries to close the gate. Bond grabs his arm and makes the gun fire wide.

INT. COMMUNICATIONS ROOM - SAME TIME


Tania looks up from her desk, which she had been wiping with a cloth. The Lektor sits on the desk.


BOND AND THE GUARD


Bond wrestles the guard to the floor and knocks him out with a judo-chop to the neck.


IN THE COMMUNICATIONS ROOM


DOLLY IN as Bond runs in. He sees the machine.


Bond

Is this the Lektor?


Tania

(unplugs it and hands

him the cord)

Yes!


Tania starts to cough. Bond hands her the gas mask.


Bond

Here, take this. It's only tear gas.


Tania

I thought it was for tomorrow, as today is the thirteenth, isn't it?


Bond

This is a hell of a time to be superstitious.

(he shuts the case

and grabs the Lektor)

Come on!


He runs through the gateway; Tania follows holding the gas mask.


IN THE CONFERENCE ROOM


A few flames burn. Bond and Tania run inside.


Bond

Come on, quickly!


DOLLY WITH THEM as he leads her across the room to a hole in the floor. He climbs into the hole, Tania following.

EXT. CONSULATE - LOW ANGLE - SAME TIME


Smoke pours out as men run from the Consulate carrying documents.


WIDER ANGLE - THE STREET


A fire truck pulls up as a crowd watches.


ANGLE ON THE CONSULATE


Firemen run toward the building with hoses.



IN THE UNDERGROUND CISTERN - A CAVERN


Kerim helps Bond and Tania down some steps from a tunnel.


Bond

(to Tania)

Keep your head down.


DOLLY BACK as they walk under an archway into a second cavern.


Suddenly they see a flood of rats running at them. Tania screams.


Bond

Back inside!


He and Tania turn back. The rats keep coming.


IN THE FIRST CAVERN


Kerim watches as Bond and Tania enter under the archway.


Kerim

This way! Quickly!


They run off. The rate keep coming.


WIDE ANGLE ON CAVERN - TRUCKING SHOT


Kerim leads Bond and Tania through a forest of pillars. PAN ON THEM as they run to a stairway.


They dash up two flights of steps.


INT. A KIOSK


A knock sounds from under a trap-door in the floor. A MAN opens it. Kerim comes up followed by Tania.

EXT. KIOSK - LONG SHOT - DAY


Kerim, Tania and Bond run outside. They are across the street from the Consulate. The street is blocked by fire trucks and spectators. They run across the street, avoiding traffic.


CUT TO:


EXT. ISTANBUL STATION - DAY


PAN ON Kerim, Tania and Bond as they run across a platform to a train. Bond jumps over a newsrack to keep up with them. An announcement is being broadcast in Turkish.


Tania suddenly stops.


Bond stops and runs back to her.


Bond

What's the matter?


Tania

(looking off)

Benz, the Russian security man.


TWO-SHOT - BENZ AND ANOTHER MAN


sit at a table eating. Benz looks off at Tania and rises.


BOND AND TANIA


He takes her arm.


Bond

Come on, never mind!


ANGLE ON THE TRAIN


Kerim stands on the steps with a PORTER on the platform beside him.


Kerim

(calling back to Bond)

Hurry! Hurry!


WIDE ANGLE - THE TRAIN


Bond and Tania jump aboard and the train starts to move. Benz and the other man look on in f.g.


ANGLE ON BENZ


He suddenly jumps up, grabbing a briefcase and hat.

Benz

(to the other man;

in Russian)

Telephone the Consulate!


Other Man

(in Russian)

Yes... yes...


Benz

(in Russian)

Dear Corporal Romanova has defected to the English!


He runs to the passing train and jumps aboard.


Grant watches him through a window of one of the compartments. ZOOM IN on Grant as he closes the window.


INT. CORRIDOR OF TRAIN - DAY


Kerim leads Tania and Bond down the corridor.


Kerim

Here's one of them... and there's the other one.


Kerim steps into the first compartment as Bond and Tania turn to the other.


IN THE FIRST COMPARTMENT (TANIA'S)


Kerim opens a connecting door to the other compartment, revealing Bond and Tania. Kerim hands Bond two passports.


Kerim

Your passports. The pictures do not do you justice. I have rarely seen a handsomer couple.


Bond looks at them. Tania looks over his shoulder.


Bond

(reading)

Mister and Misses David Somerset.

(to Tania)

Your name's Caroline.


He hands her a passport.


Tania

Caroline. I like that name.

Bond

You're accompanying me on a business trip. On the way back to Derbyshire.


Tania

To our children?


Bond

No children.


DOLLY BACK as Bond and Kerim turn to the door to the corridor.


Tania

Not even one little boy?


Bond

(turning back)

Nyet.


Kerim

I like big families myself. In fact, my whole life has been a crusade for larger families.


Bond

So I've heard.


Kerim turns down the corridor. Bond stops in the doorway.


Bond

Tania?


Tania

Yes?


Bond

Keep the door locked. I'll knock three times.


Tania

Okay.


He shuts the door and she locks it.


IN THE CORRIDOR


Bond looks out the window. Kerim takes out his yellow cigarette holder and his cigarette case.


Kerim

I'll go see the conductor now.


Bond

You sure he'll cooperate?

Kerim

Oh, we've done business before. He'll stop the train near the Bulgarian frontier where my sons will be waiting with a car. We'll be there... about six o'clock.


A WOMAN IN A SCARF turns into the corridor and walks toward them.


Bond

And the airstrip?


Kerim

Twenty miles.


Bond and Kerim pause and back up. She walks between them and down the corridor then enters a compartment.


Kerim

The plane is chartered to Athens. You'll be in London tomorrow.


Kerim places a cigarette in the holder and turns down the corridor.


Bond

We'll drink to that in London.


He knocks three times on the compartment door.


IN TANIA'S COMPARTMENT


She opens it to admit Bond. He enters closes it behind him. She wraps her arms around him.


Tania

So, we are really on our way to England!


Bond

Yes, with a lovely two-day honeymoon before us.


Tania

Honeymoon? And I have nothing to wear.


Bond

Ah!


He holds up her black ribbon and puts it around her neck.


Bond

Your trousseau!

Tania

(holding the ribbon)

Oh, James!


Bond

(holding up a finger)

Ah, one moment.


He backs away raising his jacket cuffs then holds up his hands as if to say there's nothing there, then he disappears behind the door to the other compartment.


Tania looks on in puzzlement.


Suddenly the door is kicked open revealing Bond holding up a blue negligee.


Tania

Oh, no! James, James!

(she hugs him, then

glances down

surprised)

Oh, look! Look!


She kneels in amazement to a suitcase and looks through the clothes in it.


She rises holding another blue negligee. She swings around then holds it up against herself. Bond takes the black ribbon from her hand and holds it against her neck.


Bond

There.


She laughs.


CUT TO:


EXT. TRAIN - DAY


PAN on it as it barrels past.


DISSOLVE TO:


INT. TANIA'S COMPARTMENT - DAY


Tania wears a blue negligee and dances around humming "The Blue Danube." Bond sits on the couch reading a newspaper. She drops down and lies across him. He wraps an arm around her neck.


Tania

Oh, I will wear this one... in Piccadilly.

Bond

You won't. They've just passed some new laws there.


IN THE CORRIDOR


Benz stands at door to Tania's compartment, listening, then moves on. Kerim rounds the corner behind him and watches.


Benz pauses the next compartment door, listens and moves on.


Kerim watches closely, then knocks on Tania's door.


IN TANIA'S COMPARTMENT


Through the doorway to Bond's compartment we see her feet as she lies with him in bed.


Bond (O.S.)

You're nearest.


Tania

Oh, all right.


Tania gets up and walks into her compartment. She is weaering her negligee and has her hair tied up in a bun. She opens the door. Kerim enters and looks at her approvingly.


Kerim

Charming! Charming!


Kerim turns to the doorway to Bond's compartment. Bond emerges tying his tie.


Kerim

Let's go to the restaurant car, James, for... that drink.


Bond

Surely.


Kerim

(off to Tania)

Charming!


Kerim exits past Tania. Bond follows putting his coat on.


Bond

(to Tania)

We'll continue the fashion show later.


He goes out into the corridor and she shuts the door and locks it.

IN THE CORRIDOR


Bond and Kerim look out the window.


Kerim

Everything is arranged for me to stop the train. We'll get off from the restaurant car...

(he nods down the hall)

It's up that end.


Bond

Fine, we'll meet you there at six o'clock then.


Kerim

Make it just a little later. But there are slight complications.

(he turns and looks

up the hall)

One of the Russian security men, Benz —- he watches the airports and the stations —- he's on the train.


Bond

But he couldn't have had time to contact the Consulate before he boarded.


Kerim

Well, just in case, I'll keep him company for the next two hours until it's time to get off.


PAN on Kerim as he starts down the corridor.


Kerim

Perhaps you'd like me to introduce you?


BOND

(approaching him)

Charming!


They walk together down the corridor.


IN BENZ' COMPARTMENT


Benz stands looking out the window. He hears a knock at the door and turns.


Kerim (O.S.)

Ticket control.

Benz walks to the door taking some money from his pocket. He opens the door then freezes. Kerim's hand aims a gun at his stomach. Benz backs away, drops onto the couch and drops the as Kerim follows.


Bond shuts the door. PAN OVER to Kerim. He pulls Benz' handkerchief from his pocket and stuffs it in his mouth.


Kerim

Do not be alarmed, my friend. We will make you as comfortable as possible.


Bond and Kerim pull Benz to his feet. Kerim takes a gun from inside his jacket then Bond pulls the jacket down over his arms.


Kerim

Now I'm sure Commissar Benz will have a much safer journey.


Bond pivots Benz forward.


Bond

I'm not mad about his tailor. Are you?


Bond shoves him and he drops back onto the couch.


Kerim

You know, James, life in Istanbul will never be the same without you.


Bond

I'll see you in the restaurant car.


Bond walks off. TILT DOWN with Kerim as he sits beside Benz and starts to raise his yellow cigarette holder.


Kerim

I've had a particularly fascinating life. Would you like to hear about it?


Benz grunts.


Kerim

You would?


IN THE CORRIDOR


Bond walks away through a doorway into the next train car. Grant emerges from behind the doorway, wearing his gloves. He glances back at Bond then walks forward.

IN TANIA'S COMPARTMENT


She lies on the couch wearing a blue nightdress and looking at her face in a mirror. She holds a lock of hair under her nose like a mustache.


She hears a triple-knock at the door, jumps up and opens it. Bond enters looking at her and smiling.


Tania

Do you like it?


She walks toward the couch. Bond follows.


Bond

Yes. It does rather suit you.


Tania

I will save everything else for England.


Bond

Uh, it is four o'clock, you know.


Tania

It is not kulturny in the afternoon?

(Bond looks at her)

Even on a honeymoon?

(Bond keeps looking)

Than I will take it off.


She steps forward out of frame removing a strap as Bond watches.


Bond

I think we are talking at cross-purposes again. [A couple of hours will straighten that out.


Bond pulls down the blind.]


CUT TO:


EXT. TRAIN - DAY


FOLLOW the spinning wheels.


DISSOLVE TO:


INT. TANIA'S COMPARTMENT - DAY


CLOSE SHOT of the wall, then TILT DOWN to reveal Bond and Tania lying on the couch. She smokes a cigarette.

Bond

Tania...


Tania

Um-mm?


Bond

We'd better get dressed now.


Tania

Why?


Bond

It's almost six.


Tania

So?


Bond

Well, it's, uh... it's tea time.


Tania

We'll have it in here. We'll have all our meals here.


Bond

Yeah, that would be splendid. But I've arranged to meet Kerim in the restaurant car.


Tania

Mmm, you go alone. I will stay here.


Bond takes her cigarette, rises and walks to the window which is covered with the blind.


Bond

My dear Mrs. Somerset, we're supposed to be a respectable English couple.

(he pulls on the

blind)

We would certainly have tea in the restaurant car —-


The blind rolls up with a loud snap that startles Bond. Tania walks up to him.


BOND

Now, listen...

(kisses her)

Just do as I say, will you?

Tania

Yes, James.


He picks up his tie and passes her, smacking her bottom.


Tania

But there are some English customs...


Bond

(looking back)

Hmm?


Tania

... that are going to be changed.


Bond

(wrapping his tie

around her finger)

But of course, darling.


She holds the tie between her teeth and starts laughing. Bond grins.


CUT TO:


[END OF REEL 8. START REEL 9.]


EXT. TRAIN - HIGH ANGLE - DAY


PAN on it as it rushes forward.


DISSOLVE TO:


INT. BOND'S COMPARTMENT - DAY


Seen through the open doorway of Tania's compartment, Bond and Tania are dressed. She wears her long jacket and buttons it. Bond wears his shoulder holster and puts on his coat.


Tania

Do I look nice, Mister Somerset?


Bond

Yes. —- Uh...


He faces her and puts a ring on her finger.


Bond

Misses Somerset.


Tania

(in Russian)

How pretty!

Bond opens the compartment door, picks up the Lektor and they step into the corridor.


IN THE CORRIDOR


Tania holds up and admires the ring as Bond shuts the door. They turn down the hall.


REVERSE ANGLE


A CONDUCTOR suddenly runs down the corridor calling urgently.


CONDUCTOR

Mister Somerset! Mister Somerset!


BOND AND TANIA


turn back. The conductor approaches.


Conductor

(anxiously)

You are the friend of Kerim Bey?


Bond

Yes?


Conductor

There has been a terrible accident. Please come quickly.


The conductor turns back down the corridor. Bond opens the door and pushes Tania back into her compartment, handing her the Lektor.


Tania

No tea?


Bond

Later. Keep the door locked.


He shuts the door.


REVERSE ANGLE


Bond follows the conductor down the corridor.


IN THE CORRIDOR OF THE NEXT CAR


The conductor leads Bond to the door to Benz' compartment as a MAN walks past them. The conductor looks both ways then starts to open the door.

IN BENZ' COMPARTMENT


The door slides open the rest of the way revealing Bond and the conductor.


Conductor

They killed each other!


DOLLY BACK as Bond walks in, to reveal Kerim and Benz lying dead. Kerim lies face-down on the floor with a knife in his back. Benz lies on the couch with a bullet-hole in his chest. Near Kerim's face is his yellow cigarette holder.


Bond kneels and lays his hand on Kerim's shoulder, surveying the scene, then rises.


Bond

(to the conductor)

This must be kept quiet until we reach Trieste.


Conductor

It will be difficult.


Bond

(reaching into his

jacket, with disdain)

I'm sure.

(Bond takes out some

cash and counts it)

Kerim Bey was a very influential man. He had many influential friends. I'm sure they also will reward you.


He gives some money to the conductor and puts the rest away.


Conductor

I'll try.


Bond frowns with disdain again, then looks down at Kerim.


ANGLE ON KERIM


Bond's hand reaches down and squeezes his shoulder. Then Bond picks up the cigarette holder.


TWO-SHOT - BOND AND THE CONDUCTOR


Bond rises and, with a last look back, turns into the corridor followed by the conductor, who closes the door behind them.


CUT TO:

EXT. TRAIN TRACKS - DAY


The train races forward. Kerim's chauffeur stands in front of the station wagon on a cross-road watching. PAN on the train as it passes him.


THE CHAUFFEUR


with his hands on his hips watches in puzzlement.


From his POV, the train keeps passing by.


The chauffeur keeps watching.


From his POV, the train now travels into the distance.


The chauffeur looks at his watch then runs back to the station wagon. ANOTHER MAN sits at the wheel. The chauffeur calls to him in Turkish (we hear the word "telefona") then jumps into the passenger seat and the car drives off.


CUT TO:


INT. TANIA'S COMPARTMENT - DAY


She sits on the couch folding a sweater. A triple-knock sounds at the door. She gets up and unlocks it. From outside, Bond slams the door open and glares at her.


Tania

What is it?


She looks at him, not comprehending.


Bond

Kerim's dead!


Tania

Dead?


Bond

Um-umm.


Tania backs up and sits on the couch, shocked. Bond approaches.


Bond

Now, I want the truth!


He reaches down, grabs her wrists and yanks her to her feet. DOLLY IN closer.


Tania

James, you're hurting me!


Bond

I'll do worse than that if you don't tell me! You're doing this under orders, I know. What are they?


Tania

I don't know what you mean.


Bond

Liar!


He slaps her face and she flies back, landing on the couch.


TANIA

(holding her cheek)

Even if you kill me I can say nothing. I did not know anything like Kerim's death would happen. But when we get to England, I tell you.


Bond goes to her.


Bond

Go on.


Tania

(falling back crying)

Oh, no!


Bond

(sitting beside her)

Tania, maybe they didn't let you in on all of this, but whatever you do know, tell me.


He grabs her arms from behind. She responds by stroking his hand.


Tania

I know I love you, James. I love you.


Bond

Just tell me.


Tania

I love you, I love you, it's true.


Bond

Sure.

He rises, takes the Lektor from an overhead luggage rack, goes into his compartment and shuts the door. We hear Tania crying.


CUT TO:


EXT. TRAIN - DAY


The train races forward. PAN on it as it goes by. FADE IN a SUPERIMPOSITION of a map of Europe and PAN across it, showing the train's route, from 'Sofiya' to 'Beograd.'


DISSOLVE TO:


EXT. BELGRADE STATION - NIGHT


The train approaches the station. The SUPERIMPOSITION FADES OUT.


Guard (O.S.)

(calling)

Belgrade! Belgrade!


AT A RAILING


Kerim's son MAHMET, wearing a suit and tie and holding his hat, watches.


THE TRAIN


comes to a stop at the platform. Bond immediately alights reaching inside his coat.


MAHMET


sees him and follows.


ALONG THE TRAIN - TRUCKING SHOT


Bond walks past the train putting a cigarette in his mouth. Through the windows behind him we see Grant inside following him. Bond stops and looks back. Grant disappears behind a partition. Bond walks forward again. Grant again follows.


Nearing the end of the train, Bond stops and looks around at people walking by


ALONG THE TRAIN - TRUCKING SHOT


Mahmet, holding a cigarette, hurries to Bond.


MAHMET

Excuse me.

Bond turns to face him.


Mahmet

May I borrow a match?


Bond

(lighting his cigarette)

I use a lighter.


Mahmet

Better still.


Bond

Until they go wrong.


Bond gestures feebly, slips the lighter into his pocket and starts walking with Mahmet; TRUCK with them.


Mahmet

My brother telephoned me. Why did the train not stop?


Bond

Well, I... I have some... some bad news.


Bond stops and gives Mahmet a direct look.


Bond

Your father's dead.


Mahmet

Who did it? Tell me.


Bond

Well, he took care of that himself. The other man died first.

(all business)

Now, listen.


Bond tosses his cigarette aside. DOLLY IN closer.


Bond

I'll need some help to get across the frontier strip between Yugoslavia and Trieste. I want you to send a message to 'M' in London. Tell him to send someone from Station Y to meet me in Zagreb. All right?


Mahmet

I will.

Bond

Good.


Bond nods to him, then PAN on Bond as he walks away. Then he stops and turns back.


Bond

Oh.


DOLLY BACK as Bond returns to Mahmet taking out Kerim's wallet and cigarette holder.


Bond

(handing them to

Mahmet)

You'll, uh —- I think you'll want these.


COnductor (O.S.)

(calling to Bond

in French)

Monsieur Somerset, the train is leaving!


Mahmet

(to Bond)

Thank you.


Bond

(backing away)

Ciao.


Conductor (O.S.)

(in English)

The train is leaving!


Bond turns and walks off. Mahmet turns the other way and looks at the objects in his hands. DOLLY BACK as he walks away. Then HOLD on the train. We see Grant looking out through a window in a door of the caboose.


The train starts moving. Grant turns into the corridor.


EXT. TRAIN - NIGHT - SAME TIME


PAN on the wheels as they gather speed.


UP ANGLE ON THE TRAIN


Passenger windows fly by, many with people looking outside.


DISSOLVE TO:

THE JOURNEY - MONTAGE - NIGHT


PAN on the wheels as the train speeds along. Then DISSOLVE TO a wider angle of the train continuing into the distance. Then DISSOLVE TO a deserted station as the train races by. Then DISSOLVE TO the speeding wheels again.


Meanwhile FADE IN a SUPERIMPOSITION of the map of Europe. PAN across it showing the route from Belgrade to Zagreb.


DISSOLVE TO:


EXT. ZAGREB STATION - NIGHT


The train pulls into the station. FADE OUT the SUPERIMPOSITION. The train sounds its whistle. DISSOLVE TO a shot of the passenger windows passing by.


THE STATION


seen through a window in a door. A sign comes into view: 'ZAGREB.' Grant steps to the door and opens it.


EXT. TRAIN - SERIES OF SHOTS - SAME TIME


- Grant steps onto the platform, looks around and walks off.


- Bond walks along an inside corridor glancing out the windows.


- A man in a business suit holding a briefcase stands in the station waiting. He is NASH.


ALONG THE TRAIN - TRUCKING SHOT


Grant puts a cigarette in his mouth and walks purposefully through the station past many people.


He reaches Nash. We see them speak and gesture but we don't hear them.


They start walking forward. Grant tosses his cigarette aside, pulls a pair of gloves from his pocket and puts them on.


They turn to the restroom. Grant pats Nash on the back and Nash goes in first. Grant looks around then follows.


MEDIUM SHOT - THE TRAIN


Bond steps onto the platform, looks around and starts walking.


OUTSIDE THE RESTROOM


Grant emerges carrying the briefcase and donning Nash's hat. He pulls off the gloves and walks off.

ANGLE ON THE TRAIN - TRUCKING SHOT


Bond walks forward looking around. Grant passes him. Bond looks down at Grant's briefcase. Grant backs away a bit then stops and looks at Bond. He walks up taking a cigarette case from his pocket.


A gush of steam from the train drowns them out so we only see them speak and gesture.


At the end of their conversation, a whistle sounds. Bond gestures to hurry. Grant boards the train and Bond follows. The conductor closes the door and the train starts moving.


INT. TRAIN - CORRIDOR - SAME TIME


Bond and Grant face each other. A conductor guides some passengers in b.g.


Grant

(offering a handshake)

Nash. Captain Nash.


They shake hands.


Bond

Bond, traveling as Somerset.


Grant hands him a card.


Grant

My card.


Bond looks at it —- a touch of concern crossing his face —- then slips it into his pocket.


Bond

What kept you?


Grant

Oh, I'm so sorry. I only got 'M's wire an hour ago. I busted every record getting here.


Bond

What were 'M's orders?


Grant

Only to, uh, contact you and the lady on the train.


Bond

Good. Come this way.

Bond leads him to another car, then waits to let him go first.


Grant

Thank you.


Bond follows him down the next corridor.


IN TANIA'S COMPARTMENT


She opens the door to a triple knock. Bond immediately enters followed by Grant.


Bond

This is my wife Caroline. Captain Nash.


Nash

(taking off his hat)

Oh, uh, how do you do.

(shakes her hand)

I'm so pleased to meet you.


Bond

This way, Nash.


Bond opens the door to his compartment and they go in.


Bond

Sit down, will you?


Nash

Thank you.


IN BOND'S COMPARTMENT


Bond closes the door. Grant drops Nash's briefcase and hat onto the couch, sits, crosses his legs and sighs. Bond leans back against the doorjamb.


Bond

Been long in Yugoslavia?


Grant

About three years.


Bond

Interesting work?


Grant

Yes, sometimes. Well, you know how it is, old man.


Bond

You look very fit, Nash.

INTERCUT - BOND AND GRANT


Grant

Yes, I try to keep in shape.


They look at each other.


Grant

So what's our problem, sir?


Bond

Well, I can't risk taking this...

(points to the Lektor

on the luggage rack)

... through the customs at the Yugoslav-Trieste border.


Grant

No stops till then. We'll have to jump off.


Bond

(nods)

Can you get us across?


Grant

Any of the opposition around?


Bond

Well, not in any condition to worry about.


Grant

Good. We'll make it. I know this territory like the back of my hand.


He glances down at the back of his hand.


TWO-SHOT


Bond watches him.


Grant

(leaning forward)

Uh, sir, do you mind if we have a bite to eat first? I've been on the go since breakfast.


Bond

No, of course not. Leave your things there. We'll go to the restaurant car.


Bond opens the connecting door.

Bond

Caroline, you go on with Captain Nash to the restaurant car.


IN TANIA'S COMPARTMENT


She rises and takes her coat as Grant walks in past Bond.


Bond

I'll join you there in a few minutes.


Grant

(patting his shoulder)

Whatever you say, old man.

(passing Tania)

Excuse me.


He opens the door for her and steps into the corridor. She follows. Grant look back at Bond with a half-smile then closes the door.


Bond walks over and locks the door then goes back into his compartment.


IN BOND'S COMPARTMENT


Grant's hat and briefcase rest on the couch. Bond sits beside them and lifts the briefcase. He turns the latches sideways and pops it open.


Inside are a man's shirt and a tie. He reaches beneath them and sees a revolver. He picks it up, feeling its heft, then puts it back.

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From russia with love iconМодернизация и демократия Журнал "Россия -xxi" на сайте www russia-21. ru С. Кургинян «Кризис и другие»
Журнал "Россия -xxi" на сайте www russia-21. ru С. Кургинян «Кризис и другие» Завтра No: 7
From russia with love iconMy country Russia

From russia with love iconRussia phys

From russia with love iconРоссийские реалии фондового рынка требуют максимально наукоемких программных решений Беседа со Старшим консультантом подразделения ит-консалтинга компании Siemens Business Services Russia, к т. н. Алексеем Недосекиным
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