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From russia with love



НазваниеFrom russia with love
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[END OF REEL 11. START REEL 12.]

ANGLE ACROSS RHODA IN THE TRUCK


Bond stops at the passenger door and opens it.


Bond

Where's the key?


No response. Bond jabs the barrel of the rifle into Rhoda's neck.

Bond

Where's the key?


Rhoda

In my coat. In the pocket.


Bond lifts Rhoda's coat and takes a key from the pocket.


Bond

All right, get out. Move!


Rhoda climbs out of the truck.


WIDE ANGLE


Bond

In the boat!


Rhoda runs down the jetty to the boat. Tania is untying the back rope. Bond follows carrying the Lektor, rifle and Rhoda's coat. He unties the front rope and the three of them climb aboard. Bond starts the engine and the boat moves off.


ON THE BOAT


The three of them stand looking through the windshield.


Bond

(to Rhoda)

Can you swim?


Rhoda looks away.


Bond

(to Tania)

Here, take the wheel.

(to Rhoda)

This way, please.


Bond leads Rhoda to the back of the boat.


Bond

Oop, mind the step!


He makes Rhoda step up onto the edge of the boat. Tania looks back. Bond unstraps Rhoda's belt from his wrists.

Bond

It just isn't your day, is it?


Bond pushes him over the side of the boat into the water. Rhoda screams back at him in Russian.


Tania smiles as Bond walks back to her.


Tania

Where are we going?


Bond

Venice. Look in that locker, will you?


She passes him and he takes the wheel.


She opens the locker.


Tania

Chart, pistol, some flares...


Bond

Here, give me those charts.


She hands him a chart. He unfolds it on the cabin and looks at it.


Bond

(pointing at the map)

Yes, we're here. Near Istria.


He looks back and sees the four fuel drums.


Bond

Well, we've got plenty of fuel. With a bit of luck we should be there by tomorrow morning.


CUT TO:


MEDIUM CLOSE SHOT - BLOFELD'S CAT


He strokes it.


Blofeld (O.s.)

Three men were found dead on the train at Trieste. One of them was Grant.


PULL BACK to reveal:


INT. BLOFELD'S CABIN ON HIS YACHT - DAY


Blofeld swivels forward to face Kleb and Kronsteen.

Blofeld

What do you have to say, Number Five?


Kronsteen

He was Kleb's choice. Her people failed.



Kleb

(to Kronsteen)

It was your plan! They followed it implicitly.


Kronsteen

Impossible. It was perfect.


Kleb

Except for one thing. They were dealing with Bond!


Kronsteen

Who is Bond... compared to Kronsteen?


Blofeld continues stroking his cat.


BLOFELD (O.S.)

Exactly. What have you to say to that, Number Three?


Kleb looks at him fearfully.


Blofeld presses a white button on his desk.


Morzeny enters through the doorway behind them. DOLLY IN as he approaches the desk.


Blofeld

Bond is still alive and the Lektor is not yet in our possession. I have already negotiated with the Russians to return it to them. We've agreed a price. And SPECTRE always delivers what it promises. Our whole organization depends on our keeping those promises.


Morzeny quietly puts his feet together and a knife shoots out of the toe of one of his boots.


Blofeld

(still stroking his cat)

I warned you. We do not tolerate failure, Number Three.

Kronsteen looks smugly at Kleb. Kleb sweats profusely.


BLOFELD (O.S.)

You know the penalty?


Kleb

Yes, Number One.


The boot with the knife leans back, preparing to strike.


Blofeld (O.S.)

Our rules are very simple.


Kleb keeps sweating. Kronsteen turns smugly to Blofeld. Blofeld keeps stroking his cat.


Blofeld (O.S.)

If you fail...


Morzeny's boot turns sideways toward Kronsteen, and suddenly kicks him in the ankle. Kronsteen cries out in pain and doubles over. Kleb looks on, amazed.


Kronsteen rises, a look of total incomprehension on his face. He starts to fall then braces himself against the edge of Blofeld's desk. DOLLY BACK. Kronsteen shakes his head at Blofeld in disbelief and slowly sinks to the floor.


Blofeld

Twelve seconds. One day we must invent a faster working venom.  - Number Three.


Kleb

(snapping to attention)

Yes, sir.


Blofeld (O.S.)

I do not wish to have to tell the Russians that there will be another delay.


Kleb

There will be no delay, Number One. There's still time.


CUT TO:


EXT. GULF OF VENICE - LONG SHOT - DAY


Bond's boat races across the water in the distance, leaving a white wake.

IN THE BOAT


Tania licks her finger and holds it to the wind. Bond, steering, smiles at her.


Tania

Which way are we going?


Bond

The shortest route.

(holds up the chart)

Which is between those two mountains...


He points to mountains looming up ahead.


Bond

... and straight along the coast.


They look peacefully into the distance.


Suddenly a motorboat rounds a point in front of them, heading for them.


BOND


spins the wheel, turning back in the direction they came from, throwing a wide wash behind. They race ahead at full throttle.


They hear Morzeny's voice calling through a megaphone:


Morzeny (filtered)

Ahoy, Mister Bond!


Tania looks back.


THE MOTORBOAT


races to catch up.


Morzeny (filtered)

Ahoy, Mister Bond!


CLOSER SHOT - THE MOTORBOAT


Morzeny holds the megaphone and stands beside the PILOT; TWO SPECTRE MEN sit behind him.


Morzeny (filtered)

(to Bond)

Heave to! Heave to!

BOND


glances back then puts on even more speed.


Suddenly he sees another motorboat up ahead round a point and race at him, then another.


He swerves to avoid them, completing another half arc.


Morzeny (filtered)

You're trapped, Mister Bond! You're trapped! You cannot escape! You cannot escape!


WIDE ANGLE - THE SEA


Bond's boat speeds ahead, leaving a wide wake, with three motorboats racing after it. ZOOM BACK to an even wider angle.


MORZENY'S BOAT


speeds forward. One of his men kneels on the bow aiming a machine gun. Morzeny barks orders into the megaphone:


Morzeny (filtered)

Rifle grenade, prepare to fire!


ANGLE OVER MORZENY


The other two boats are right ahead, chasing Bond's boat in b.g. On each bow a man crouches with a machine gun.


Morzeny (filtered)

We're coming through! Pull over, SPECTRE Green!

(lowers the megaphone

and waves)

Get out of the way!


His boat passes between the other two.


Morzeny

(to a man behind him)

Give them a warning shot!


The man behind him fires a rifle grenade.


ANGLE ON BOND'S BOAT


An explosion occurs just behind it.


ON MORZENY'S BOAT


He calls through the megaphone to the boat on his left.

Morzeny (filtered)

Rifle grenade fire!


A man on that boat fires a rifle grenade.


REVERSE ANGLE ON BOND'S BOAT


An explosion occurs right in front of it.


ON MORZENY'S BOAT


He calls through the megaphone to the man on his bow.


Morzeny (filtered)

Forward machine gun fire!


MEDIUM SHOT - ANOTHER BOAT


A man fires a rifle grenade.


BOND'S BOAT


Another explosion occurs behind it and we hear machine gun fire.


MORZENY'S BOAT


The man on the bow is firing his machine gun. Morzeny calls through the megaphone to the two boats behind him.


Morzeny (filtered)

You're firing too close!


ON ANOTHER BOAT


A man fires another rocket grenade.


ANGLE ON BOND'S BOAT


Another explosion occurs behind it.


Morzeny (O.S., filtered)

SPECTRE Red, SPECTRE Green, you're firing too close!


MORZENY'S BOAT


He turns to the boats behind him. A man on his stern fires another grenade.


ON BOND'S BOAT


Tania looks back. An explosion occurs right behind her. The three SPECTRE boats follow in b.g.

MORZENY'S BOAT


Morzeny continues on the megaphone.


Morzeny (filtered)

(to the others)

You're trying to stop them, not to sink them!


ON BOND'S BOAT


Bond glances back. Machine-gun fire and another explosion erupt behind him. Tania ducks and looks back.


MORZENY'S BOAT


comes right at them, the man on the bow firing his machine gun.


ON BOND'S BOAT


Bond glances back at the fuel drum. Bullets puncture each of them and fuel pours out. Bond keeps looking. More fuel.


He touches Tania's arm.


Bond

Here, take the wheel!


Tania takes the wheel. Bond turns, unties the drums and pushes three of them off the boat. They splash into the water. PAN BACK to show the drums floating between Bond's boat and the others.


MORZENY


raises a pair of binoculars. He sees the drums in the water.


[END OF REEL 12. START REEL 13.]


Morzeny

(to skipper)

Slow down!


The three boats pass one of the fuel drums. ZOOM BACK to a wide angle.


Morzeny

Slow down all boats! Green, go alongside, while we keep you covered.

BOND'S BOAT


Bond rolls the last fuel drum off the boat. It splashes into the water. Bond starts to reach down.


Morzeny (O.S.)

Hands up, Mister Bond!


Bond raises his hands as Tania looks back.


Tania

Why are you giving up? Without those drums the boat must be lighter. We can go faster.


Bond

Hand me that Very Pistol.


MORZENY'S BOAT


He calls to Bond through the megaphone.


Morzeny

Keep your hands up, Mr. Bond. We're sending a boat along to take you off.


ON BOND'S BOAT


Tania hands Bond the pistol. He aims and fires it.


SERIES OF SHOTS


- A fuel drum blows up.


- The fuel in the water explodes around the SPECTRE boats as Bond speeds away.


- Bond fires the pistol again.


- More explosions in the water.


- Flames roar up.


ON BOND'S BOAT


He glances back grinning.


Bond

(to Tania)

There's a saying in England: 'where there's smoke there's fire.'

SERIES OF SHOTS


- Two SPECTRE boats collide amidst the flames and smoke, setting off an explosion between them. The man on the bow of one of the boats catches fire and jumps overboard.


- Morzeny's boat comes forward through the flames.


Morzeny

(yelling at another boat)

Green, change your course!


- The other boat passes through deep smoke and, when it emerges, the man on the bow is gone.


- Morzeny yells at the others:


Morzeny

All boats, toss your ammunition! Get rid of it  - quick!


- PAN across a boat on fire.


- Morzeny stands on his burning boat, waving back at the other boats.


Morzeny

Get rid of it!


- On another boat, the man on the bow shields his face against the flames.


- Flames engulf Morzeny's boat.


- It passes through more fire.


- Fire burns on the water.


- Morzeny calls to his men.


Morzeny

Quick as you can! Let's jump!


- His boat passes into a cauldron of flame.


- Morzeny is ablaze. He falls backwards into the water.


Morzeny

(screaming)

Ahhh!


- His boat explodes.


SLOW DISSOLVE TO:

EXT. VENICE - ESTABLISHING SHOT - DAY


laying serenely on the Mediterranean.


ON A HOTEL BALCONY


Tania sits in a chair. A champagne bottle and glasses are on the table beside her, and Bond stands lighting her cigarette. DOLLY IN. Bond wears a shirt and tie but no jacket. He kisses the back of her neck.


A phone rings inside.


Bond

Don't go away.


He goes into their room. PAN on him through the window as he walks to the phone.


INT. SALON - SAME TIME


Bond picks up the phone.


Bond

(into phone)

Yes?... Oh, thanks. Tell him to wait, will you? And, uh, send up a porter for the luggage... Thank you.


A knock sounds at the door.


Bond

(calling back in

Italian)

Avanti!


The door to the suite opens and Kleb enters dressed as a chambermaid.


Kleb

(in Italian)

Permesso, signor. (By your leave, sir.)


Bond

(in Italian)

Si, prego. (Yes, please.)


Kleb shuts the door and walks off.


Bond

(into phone)

And also, uh, get me the British Consul... Thank you.

He replaces the receiver. PAN on him as he walks to a table where the Lektor sits and shuts the case. Kleb, behind him, is dusting a couch.


Bond picks up his shoulder holster, which hung over a chair at the table, and walks into the bedroom putting it on.


DOLLY IN on Kleb. She walks to the table and picks up the Lektor.


The phone suddenly rings again. She sets the Lektor down and takes an ashtray from the table.


BOND


emerges from the bedroom. PAN on him as he grabs his coat from the chair, passes Kleb holding the ashtray, goes to the phone putting his coat on and picks up the phone.


Bond

(into phone)

Yes?... Oh, Mister Maxwell, please... James Bond.


TANIA


enters the salon, holding a green coat over her shoulder.


Tania

James, we will miss the plane and we will...


She freezes, seeing Kleb.


KLEB


looks at Tania and puts a finger to her lips, shushing her.


TANIA


DOLLY IN on her as she mouths the words, "Rosa Kleb."


Bond (O.S.)

(into phone)

Hello, Paul. Bond here. Just to tell you we're off in a few minutes and I want to thank you for everything. And signal the office we are on our way back, will you?


ANGLE ON BOND


Tania stands in b.g. near the door. Kleb, holding a suitcase, picks up the Lektor from the table and turns toward the door.

Bond

(continuing)

... What was that?

(he sees Kleb and

points)

Here, leave that! I'll take it.


Kleb sets the Lektor down.


BOND


listens on the phone and laughs.


Bond

What?... Oh, no. It should be routine from here on in. Y'know, so many times -


He looks off at Kleb and stops.


MEDIUM CLOSE SHOT - KLEB


aims a gun at him.


BOND


stares at her. Meanwhile we hear Paul over the phone:


PAUL (filtered)

Hello, what was that you're saying? Hello, hello?


KLEB


gestures to him to hang up.


BOND


Realization crosses his face.


Bond

(to himself)

Kleb.


KLEB


gestures again for him to hang up.


MEDIUM SHOT - BOND


Again we hear Paul over the phone:


Paul (filtered)

James! Are you still there? Hello!

Bond puts the phone down.


KLEB


makes an upward gesture with the gun.


BOND


turns and puts his hands up.


TANIA


looks at Bond shaking her head, as if to say she's not in on this.


BOND


looks at her in chagrin then glances down.


KLEB (O.S.)

Romanova!


WIDER ANGLE


Bond stands in f.g. with his arms raised as Tania and Kleb stand in b.g.


Kleb

The door!


BOND


looks at Tania.


TANIA


looks back, shaking her head again.


KLEB


Kleb

(yelling now)

Romanova!


BOND


glances at Tania.


THREE-SHOT


Tania opens the door. DOLLY UP as Kleb walks over to Bond, takes his gun and tosses it aside.

BOND


looks on.


CLOSER ANGLE - TANIA AND KLEB


Kleb picks up the Lektor and hands it to Tania.


Kleb

Take this.


Tania takes it from her.


BOND


watches.


ANGLE ON THE DOORWAY


Tania steps out into the hall with the Lektor. DOLLY IN as Kleb starts closing the door, still aiming at Bond.


BOND


watches.


ANGLE ON KLEB


DOLLY IN closer on she closes the door further, still aiming at Bond.


BOND


DOLLY IN CLOSE as he watches.


ANGLE ON KLEB


Suddenly the door bursts open and Tania lunges in and grabs Kleb.


SERIES OF SHOTS


- The gun lands on the floor.


- Bond lunges forward.


- Tania falls to the floor as Kleb rises, facing Bond. She backs away ripping off her cap.


- Bond runs forward then hesitates.


- Kleb knocks her feet together. A knife shoots out from the toe of one of her shoes.

BOND


backs away and grabs a chair, aiming it to block her, and steps forward.


ANGLE ON KLEB'S FEET


They step forward. She shouts and kicks out with her shoe. Bond's feet approach her. TILT UP as he pushes the chair against her and pins her to the wall. She curses at him in Russian and tries to hit him.


BOND'S FACE


Her fist misses him.


ANGLE ON KLEB'S FEET


Her knifed foot keeps kicking at him.


TWO-SHOT


Bond keeps Kleb pinned against the wall.


TANIA


on the floor on her side grabs Bond's gun, rolls onto her back and aims it at one and then the other.


BOND AND KLEB


DOLLY IN as he keeps her pinned and she tries to hit and kick him.


THEIR FEET


Kleb's feet keep kicking at Bond's legs but he moves to avoid them. She curses again in Russian.


TANIA


aims the gun again at one and then the other and then fires.


KLEB


KLEB

(screaming)

Ah! Ah!


Her arms fly up.


BOND


watches her.

KLEB


sinks down along the wall to the floor then tips over.


BOND


backs away and sets the chair down. DOLLY BACK as Tania walks up to him still holding the gun and looking at Kleb. She rubs Bond's shoulders. He takes the gun from her.


Tania

Horrible woman.


Bond

Yes.

(he rubs his eyes)

She's had her kicks.


CUT TO:


EXT. VENICE CANAL - DAY


A flock of pigeons fly into the air. FOLLOW THEM as they cross the canal. Matt Monro sings "From Russia With Love."


CLOSER ON THE CANAL


TILT DOWN from a bridge above the canal to gondolas streaming forward.


IN A GONDOLA - SAME TIME


Bond and Tania ride in the back seat. He wears his suit and she her green coat. She takes the wedding ring off her finger and hands it to him.


Tania

Here you are, in case you ever need it again.


Bond

(taking it)

Oh, yes. All government property has to be accounted for.

(slips the ring into

his pocket)

But as I said before: 'We won't always be working on the company's time,' will we?


Tania

No.


They kiss, Bond squeezing Tania's shoulder.

FAVORING BOND


They continue to kiss then Tania suddenly sits upright and straightens her hair.


Tania

James, behave yourself! We are being filmed!


Surprised, he glances back.


BOND'S POV - A BRIDGE OVERHEAD


An ELDERLY COUPLE stands on the bridge. The man films them as the woman takes snapshots.


ON THE GONDOLA - FAVORING TANIA


Bond

Oh, not again!


He takes the reel of film given to him by Grant from his pocket.


FAVORING BOND


He unspools the start of the roll and holds it up to the light.


Bond

(looking at it)

He was right, you know. [What a performance!]*


FAVORING TANIA


Tania

What is it?


Bond

I'll show you.


He slings an arm around her and they kiss. TILT UP to the canal. Bond's hand rises into frame holding the reel, swings it around and tosses it.


CLOSE SHOT - THE CANAL


The reel lands in the water.

BOND'S HAND


waves goodbye to it.


THE WATER


PULL BACK as 'THE END' comes on, then TILT UP to the receding Venice shoreline as another title comes on:


NOT QUITE THE END

JAMES BOND

WILL RETURN IN

THE NEXT

IAN FLEMING THRILLER

'GOLDFINGER'


END CREDITS ROLL.


FADE OUT.


THE END

* At this moment there is a skip in the soundtrack where the line was removed, which is obvious because the lyric skips.

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